The New Concrete Poetry & Neo-Concrete Poetry

  From "Five Questions (1)" by Missimo Nota (Rome, Italy)  (April 2025) (Image courtesy of the artist) From "Five Questions (2)" by Missimo Nota  (April 2025) (Image courtesy of the artist) From "Five Questions (3)" by Missimo Nota  (April 2025) (Image courtesy of the artist) From "Five Questions (4)" by Missimo Nota  (April 2025) (Image courtesy of the artist) From "Five Questions (5)" by Missimo Nota  (April 2025) (Image courtesy of the artist)

  "Page not found" by Jeff Nimp (France) (April 2025)  (Image courtesy of the artist) "Ultralyrisme (un vieux truc)" by Jeff Nimp (March 2025)  (Image courtesy of the artist) "Jeff Nimp Publication" by Jeff Nimp (April 2025)  (Image courtesy of the artist) "Untitled" by Jeff Nimp (April 2025)  (Image courtesy of the artist) "Untitled" by Jeff Nimp (March 2025)  (Image courtesy of the artist) "14.46 33%" by Jeff Nimp (April 2025)  (Image courtesy of the artist) "Untitled" by Jeff Nimp (February 2025)  (Image courtesy of the artist)

"Esper-me" by Camille d'Arc (Paris, France) (May 2021)  (Image courtesy of the artist) A poet and intermedium artist living in Paris, Camille d'Arc has created a growing archive of her work. https://camille-d-arc.com/?fbclid=IwY2xjawJSKkRleHRuA2FlbQIxMAABHcP8cx7aLy2fK3k1Yzu7CINvjrnit5xGyFHaGHmQ-N85-C8Fsl_rA95Wbg_aem_fedQhlJh3l76DdekfSTU5w "Chant XIX" (Originally appeared in Revue OLGA 3) by Camille d'Arc (May 2024)  (Image courtesy of the artist and thanks to Thomas Lamouraux) "Mentalacte" by Camille d'Arc (May 2029)  (Image courtesy of the artist) Mardon, les gens diront Mardon bientôt. Trop lard Et marde Involver invulver imposse Actement imposse Volcanovolve de marde. L'epocte est volcanovolve Vovulve vovacte Touriste d'arrivée. - Camille d'Arc "Mentalacte - 999 Paradox Avenova" by Camille d'Arc (2019-21)  (Image courtesy of the artist) "Double - Happiness - Mentalacte" by Camille d'Arc (June 2023)...

"Constructivision 21: E R N O R. 91 / A. D. 1809." by Geof Huth (North Carolina, USA)  (March 2025) (Image courtesy of the poet) " E R N O R. 69 / A. D. 1809. } NEW-YORK, 31st Sᴇꜱꜱɪᴏɴ. / tors and company of the Union turnpike-road, twenty five dollars, to be recovered in an ac-" by Geof Huth (March 2025) (Image courtesy of th e poet) "Constructivision 23: C : - a m a b o h e o F" by Geof Huth (March 2025)  (Image courtesy of the poet) "Constructivision 17: 94 LAV A. D. 1808." by Geof Huth (March 2025)  (Image courtesy of the poet) "Constructivision 20: 132 L A. D. 18 / R N O R. 95 A. D. 18" by Geof Huth  (March 2025) (Image courtesy of the poet)

 

"RAFA'S dance" by Shawn McMurtagh (California, USA) & Rafael Gonzales (Spain)  (December 2024) (Image courtesy of EYE RUSH PRESS) "OPUS" by Shawn McMurtagh & Catherine Mehrl Bennett (USA)  (December 2024) (Image courtesy of EYE RUSH PRESS) "PURGATION" by Shawn McMurtagh  (December 2024)  (Image courtesy of EYE RUSH PRESS) "L O S T spl inters" by Shawn McMurtagh & John M. Bennett  (November 2024)  (Image courtesy of EYE RUSH PRESS) "HER world" by Shawn McMurtagh  (January 2025)  (Image courtesy of EYE RUSH PRESS)

"Untitled (haiku)" by Hiromi Suzuki (Tokyo, Japan)  (July 2024) (Image courtesy of the artist) Words become images; images become words: Concrete & Visual Poetry by Hiromi Suzuki   The work of Hiromi Suzuki reveals the potential of the new visual poetries currently emerging. While Western concrete and pattern poetry represent a kind of hyper-formalism, Suzuki reaches a higher level of expression via skillful use of collage, distortion and many other available tools. Technology has created many new possibilities for concrete poetry. Suzuki’s compositions tend to be language-centered. They also offer the reader fascinating image-text juxtapositions that produce asemics as well. In Suzuki’s vispo, words become images; images become words. At times he uses open field composition, which tend to reduce disruption and fragmentation. I am very pleased to present recent work by Hiromi Suzuki at The New Concrete Poetry. I hope we will see more of his work here. Deepest th...