New Concrete Poetry (Neo-Concrete Poetry): "lost Fluxus score for Yoko Ono (databending)" by Kristen Szumyn (Sydney, Australia)

 


"lost Fluxus score for Yoko Ono (databending)" 
by Kristen Szumyn (Sydney, Australia)

Comments

Post a Comment

Popular posts from this blog

New Concrete Poetry by Takahiro Sawamura (Kyoto, Japan)

Image
"The (Poetic) Formation Process of the 'J' apanese Arch 'i' pelago"  by Takahiro Sawamura (Kyoto, Japan) (September 2024) "Problem"  by Takahiro Sawamura (August 2024) "Space World" by Takahiro Sawamura (September 2024) "Connect One Text Extent To No Control" by Takahiro Sawamura  (September 2024) "Elastic Poem" by Takahiro Sawamura  (September 2024) "Ecosystem" by Takahiro Sawamura  (August 2024)
Read more

The New Concrete Poetry: Object Poems by Geof Huth (Astoria, Queens, New York, USA) (NEW OBJECT POETRY Part 2)

Image
  "Stoen 254: in this act contained" by Geof Huth  (Newport, North Carolina, USA) (September 2024)  Recent Object Poems by Geof Huth    By De Villo Sloan   In my previous New Concrete interview with visual poet Terri Witek, I provided a context by sharing my observations about what I believe to be the emergence of a new iteration of an age-old poetic practice: Object Poetry. The New Object poem is likely to be three-dimensional and is often composed of randomly found, inexpensive materials. Various art, literature and music movements grounded in Neo-Concretism have had a powerful influence on recent developments in this postavant genre. Members of Fluxus exchanged Object Poems via their mail art network. Most New Object poems are shared in an environment of digital poetics. "In the milieu of New Object Poetry, there is no mediating poetic text. Simply   stated: The object IS the poem. Text might or might not be used." In the milieu of New Object Poetry, the
Read more