New Concrete Poetry (Neo-Concrete Poetry) Collabs by Kristine Snodgrass (Florida, USA) & De Villo Sloan (New York, USA)

 


"Double Sestina (1)" by Kristine Snodgrass (Florida, USA) 
& De Villo Sloan (New York, USA)




"Double Sestina (2)" by Kristine Snodgrass 
& De Villo Sloan




"Double Sestina (3)" by Kristine Snodgrass 
& De Villo Sloan




"Sestina" (source) by De Villo Sloan




"Sestina" (reject) by De Villo Sloan



Comments

  1. Replies
    1. The thing about the reject is that sestinas are governed by the #6 (six). I think it's a fascinating structure. So the appearance of the 6 bars in the glitch inspired the whole thing (and the cyclical nature of a sestina). You picked up on that with your amazing intuition & subconscious perceptions. Traditional forms (think of the sonnet) are highly numerical, as is concrete poetry, hyper-numerical actually.

      Delete

Post a Comment

Popular posts from this blog

The New Concrete Poetry: Object Poems by Geof Huth (Astoria, Queens, New York, USA) (NEW OBJECT POETRY Part 2)

New Concrete Poetry by Takahiro Sawamura (Kyoto, Japan)