The thing about the reject is that sestinas are governed by the #6 (six). I think it's a fascinating structure. So the appearance of the 6 bars in the glitch inspired the whole thing (and the cyclical nature of a sestina). You picked up on that with your amazing intuition & subconscious perceptions. Traditional forms (think of the sonnet) are highly numerical, as is concrete poetry, hyper-numerical actually.
From 4 plus 3 by Karl Kempton (California, USA) published by Pete Spence in 1988 at Post Neo (Victoria, Australia) Image courtesy of the New Concrete Archive Karl Kempton's 4 + 3 in Pete Spence's Post Neo Edition by De Villo Sloan Australian poet and publisher Pete Spence sent me this wonderful gift of a concrete poetry classic by Karl Kempton published by Post Neo in 1988. I am not exaggerating when I write Karl Kempton (based in California, USA) is one of the most widely recognized and praised concrete poets in the world today and has been for decades. Pete Spence’s edition of 4 plus 3 is a gathering of four poetic sequences by Kempton composed during a time of extraordinary creativity for the poet: 4 prism poems, 1984 Prism Poem 3, TO TIE A KNOT, 1982 THE WAIT/WEIGHT OF INSPIRATION, 1984 (for Loris Essary & Dan Raphael) THE UNKNOWN OCEANO OCTAVE, 1987 Cover of 4 plus 3 by Karl Kempton published by Pete Spence...
"Constructivision 21: E R N O R. 91 / A. D. 1809." by Geof Huth (North Carolina, USA) (March 2025) (Image courtesy of the poet) " E R N O R. 69 / A. D. 1809. } NEW-YORK, 31st Sᴇꜱꜱɪᴏɴ. / tors and company of the Union turnpike-road, twenty five dollars, to be recovered in an ac-" by Geof Huth (March 2025) (Image courtesy of th e poet) "Constructivision 23: C : - a m a b o h e o F" by Geof Huth (March 2025) (Image courtesy of the poet) "Constructivision 17: 94 LAV A. D. 1808." by Geof Huth (March 2025) (Image courtesy of the poet) "Constructivision 20: 132 L A. D. 18 / R N O R. 95 A. D. 18" by Geof Huth (March 2025) (Image courtesy of the poet)
Cover of Collected by Charlotte Jung (Sweden: Timglaset 2023) (Image courtesy of the artist) Essay/review - Collected: Concrete Poems by Charlotte Jung Malmo, Sweden: Timglaset (2023) 124 pages, perfect bound, 7” X 8” Review by De Villo Sloan In preparing to write this essay on the minimalist poetry of Charlotte Jung, I have been greatly assisted by the publication of Collected: Concrete Poems by Charlotte Jung . This edition was released in 2023 by Timglaset, the acclaimed Swedish publisher of postavant lit. Collected gathers the majority of Jung’s minimalist compositions to date, including the contents of entire chapbooks and longer sequences, among them C (2019), (SEED) (Timglaset 2020), Hole Being (No Press 2021), and RAPE ( The Blasted Tree 2022), among others. This substantial volume does much to establish Jung as an important, innovative minimalist poet of the 21 st century. Readers of contemporary visual poetr...
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ReplyDeleteThe thing about the reject is that sestinas are governed by the #6 (six). I think it's a fascinating structure. So the appearance of the 6 bars in the glitch inspired the whole thing (and the cyclical nature of a sestina). You picked up on that with your amazing intuition & subconscious perceptions. Traditional forms (think of the sonnet) are highly numerical, as is concrete poetry, hyper-numerical actually.
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